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High 10 Lucio Fontana Accounts To Observe On Twitter
Inadequacy
Concepts like art and life have to be mixed with one another because there is no reason for maintaining a separation between the work of humans and human. The art of life is a form (creative energy - sexual) Who said that? That is why the most interesting art is that which talks about life, that reveals different experiences, specifics, questions, and perspectives.
In the world, it is imperative to reject the idea of a perfectionism to be achieved (in order to respond to expectations of this sort, the only art we can refer to is film). Failure is the hallmark of being Human, the stumbling block that we've all fallen at one time or another: the faulty judgment, haste and anger, the constant desire for safety and control, wrong choices. Don't tell me you have not made any of these errors?
Open: a new perspective to view the world from
When we fall, we hurt ourselves more or less intensely and are inclined to judge that fall, to consider that the error was a mistake because of the expectations we hold of ourselves and others. The wound is actually the place where we can see the truth. It is from here that we are no longer in the idea of perfection (which if it were such would not be a problem) and examine what is broken: we look through it and then look at ourselves.
Fontana cut her hair with the consciousness the possibility of opening up, breaking or tearing as destruction is often the strongest creative act, all the more so in a society in which, even from a young time, we are ensconced in a deeply ingrained systems of values and beliefs. It is no coincidence that Fontana stated in 1963 in an interview Nerio Minuzzo that:
"The critics have always maligned me, but I have never worried about it, I went ahead anyway and I didn't take any kind of salute. For years they called me "the one who has holes' with some pity even. However, today I can see that my cuts and holes have created a taste and are widely accepted. They even have practical uses. In bars and theaters, they make ceilings with holes. Since today, as you can see that even people who walk by understand the latest forms. It's the artists that are the ones who know more '.
When Fontana speaks of streetspeople, he evokes the imagery of imperfection, in which the form of the hole is like any other where the transformation of life takes place. Fontana isn't afraid of dirt nor of the brutality of creative expression: he throws tar on an artifact made of plaster of a man and calls the sculpture "Black Man".
Years later, the cut is transformed into the conquest of space, as an overcoming of sculpture and painting through a new spatiality that combines both an end to verticality, in favor of a crossing passage.
The palpitation that occurs, both inhaling and exhaling from the canvas is reminiscent from afar, in a more cerebral and bourgeois way of the work Gina Pane would later perform on her skin. The gesture remains the eternal main character in this context, where art is destined to be destroyed. The wound and the cut represent path, boundary and exchange. The artist breaks the canvas in two and declares it to be finite. the holes become black holes, which give an illusion of depth. They also reveal the infinite that we will never be able to comprehend.
Wait: new things we don't yet know
Fontana described the cuts as 'Waits', openings that allow new and unique things emerge that we don't are aware of.
If we make a mistake, when we hurt or injure the other one, we must wait a certain time before the reaction. It starts with the shock of the error and the failure overcome, and then finding out the best steps to take to compensate or avoid it; then we wait for the consequences of that break, that mistake, which could actually be a amazing and new resource. Or not.
Few understood (and are able to comprehend) this philosophy , as they are constantly judging the way that human beings and reality should be, too used to the two-dimensional nature that is the nature of canvas. We fight with all of our might the right methods, the correct way to present and function in society, so much that we turn to norms that ultimately define Normativity.
There is nothing more absurd than this. Convinced that we know everything and everything, we apply our standard to every organism and ecosystem in the world However, we see it from a narrow and biased viewpoint that is not in line with reality. Anthropocentrism, but also individual interpretations of the other which are rarely the correct ones.
Accept: no absolute perfection.
This is also true for this society that wants us to be better at all costs, without pondering the fact that maybe, instead of increasing standards, we need to accept more of the world as it is. Do we accept pain? Do we accept death? Do we accept the bodies of others? Do we accept diversity? Most importantly, after we accept, do we honor our diversity?
In most cases is it that we are able to hide those things that don't fit with the 'perfection' of our own little planet or universe. It makes us horrified, angry, and irritated, pushed away, covered up, and so we manifest our imperfections, which we really are, but refuse to accept.
Understanding one's own limitations is essential as is recognizing the interconnectedness of all that is the global system. Either we are ALL put in a position to give our best, or there's no incentive or competition worth the effort with the sole goal of creating the spread of inequality. It's all very well and good that some after much effort have made it, as have those who have been lucky. But in the broader context, always stretching the boundaries just a bit further it's a perfect' in an impermanent setting; there is no "perfection" in the absolute sense.
Could this ever exist?
Cut: let the truth in
We can say that Fontana was a tinkerer, as from the beginning, Fontana resisted the straightforward ways to be successful, opting instead to explore the unknown and unpredictability, which is to say: abandoning the pretense of being the only, he followed the research path which led him to discover some truths.
For me, and in my personal opinion, Fontana is the one who rips the veil and allows the light shine through, even if he put obscuring black sails behind the cuts. A spatial artist in the same way as one of the pioneers of this art, it is not understood only as a work but as a gesture, a gesture, around and https://www.pearltrees.com/radishfoot5/item495551660 as a consequence of action on space, performance as the activation of a narrative, of which much is practised today.
To me, his cuts illuminate all these, opening new perspectives on art as well as new perspectives about the world, as well as new questions. The wound that he has caused is more than pain: the wound highlights the idea of mortality, shortness, uncertainty and fragility. Wounding makes us question, makes us question, and this practice is very important to ensure that we remain grounded. While it can be difficult to endure and as hard as it is in a perfect story of life it is ideal (and appropriate) to learn only by positive reinforcements. So long that we as a nation are unwilling to avoid one another's pain as as our own, we're bound to remain in the unsolved and to live in an incomplete reality.
So let's enjoy the cinema and its happy endings, its beauty and perfection that is taken for granted , and that we misunderstand and take as a model for life since the visual arts on the other hand are the children of pain, and every artist, in order to convey a bit of truth, must go through the pain.
Сайт: https://www.pearltrees.com/radishfoot5/item495551660
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